Showing posts with label roger manning. Show all posts
Showing posts with label roger manning. Show all posts

Friday, September 30, 2005

Redd Kross Booty!

I think we already mentioned the Redd Kross podcast (which has a great live show from Vancouver, BC on their last episode that's from right after the Show World album was released), but what I hadn't seen before is a couple of songs that Redd Kross did with the near-famous and aforementioned Roger Joseph Manning Jr. They're up on that weed service, right here.

Sunday, May 8, 2005

Beck’s “Guero” album-the 2nd listening

GueroA few weeks ago, I picked up Beck's "Guero." It was hailed by many critics as a throwback to his 1996 album "Odelay." On my website, I confessed that it was good, but it didn't jump out at me, but it would take me a couple of spins to get into it. Well, I took it for a second spin, and it totally sucked me in.

It's a great album. Like "Odelay," it is peppered with well-conceived samples and stellar production from The Dust Brothers. Unlike "Odelay," he has a wider array of guest musicians helping him out. Not just his normal back-up band (featuring, among others, keyboard whiz Roger Manning, Jr. from Jellyfish), but Jack White of the White Stripes and multi-instrumentalist/vocalist Petra Haden (who did an all a capella version of "The Who Sell Out" earlier this year) come in and lend a hand. The results are as sprawling as "Odelay" is, from the catchy pop of "Girl" and the funky electronica of "Hell Yes" to the earthy, late night cool of "Black Tambourine. The strongest cut on the album is "Rental Car," simply because it's a whirling dervish of a song that is more befitting of a listen rather than a spewing of copy here.

That's the odd thing that I've noticed about Beck more than any other artist. Each one of his albums has needed to grow on me, but when they do, they hook into me pretty deeply. Turns out "Guero" is no exception.