A few weeks ago, I picked up Beck's "Guero." It was hailed by many critics as a throwback to his 1996 album "Odelay." On my website, I confessed that it was good, but it didn't jump out at me, but it would take me a couple of spins to get into it. Well, I took it for a second spin, and it totally sucked me in.It's a great album. Like "Odelay," it is peppered with well-conceived samples and stellar production from The Dust Brothers. Unlike "Odelay," he has a wider array of guest musicians helping him out. Not just his normal back-up band (featuring, among others, keyboard whiz Roger Manning, Jr. from Jellyfish), but Jack White of the White Stripes and multi-instrumentalist/vocalist Petra Haden (who did an all a capella version of "The Who Sell Out" earlier this year) come in and lend a hand. The results are as sprawling as "Odelay" is, from the catchy pop of "Girl" and the funky electronica of "Hell Yes" to the earthy, late night cool of "Black Tambourine. The strongest cut on the album is "Rental Car," simply because it's a whirling dervish of a song that is more befitting of a listen rather than a spewing of copy here.
That's the odd thing that I've noticed about Beck more than any other artist. Each one of his albums has needed to grow on me, but when they do, they hook into me pretty deeply. Turns out "Guero" is no exception.
