News Round-Up

I'm sure you already know by now that Paul McCartney has said that The Beatles catalog should be coming to online digital music stores next year.

Weezer is working on a new album to be released next spring. Coming up sooner is a very interesting sounding solo release from Weezer's Rivers Cuomo (December 18th). Be sure to watch for that.

Candlemass will be touring North America next year (so far only a May date in New York City is announced). If you've been a fan for any length of time over here in the Americas, you know this is a big deal.

The latest David Lee Roth version of Van Halen has announced more tour dates to come next year, extending what they originally planned. Good to hear they're getting along so far.

Some bummer news: The Hellacopters have broken up.

Some really, really exciting news (for me at least): Puffy AmiYumi (a J-pop girl group created by Andy Sturmer of Jellyfish) has a new album called "Honeycreeper" that is... get this... produced by Butch Walker. Can't wait to get a hold of this.

Finally, let's talk about the confusing world of Genesis box sets. Back in 1998, Genesis released Archives, Vol.1 which was to be the first of three box sets with each set focusing on a certain phase of their career. This announcement was made before everybody realized that 1997's "Calling All Stations" (and it's concert tickets) were not selling worth beans and no one cares about anything Genesis did after 1992. So, only a second box set was released in 2000 to capture the rest of the career up through 1992.

But this year, Genesis has put out a very different kind of box set in April (covering 1975 - 1982) and on Nov. 20, they'll release the follow up box set covering 1983 - 1998. The sets include the original albums and then, taking a cue from Porcupine Tree, each album is accompanied by a DVD with extras like 5.1 mixes, videos and such. Plus there's a disc of B-sides and rarities in each set.

I really like the idea of the DVDs with all the extras... this seems to be something unique to the Genesis catalog and I'd like to see/hear them. However, I'd be very weary of the versions of the original albums on these. No doubt these are "remastered". This is a marketing term that means "We've compressed the crap out of the music, totally destroying the dynamic range it once had, so that it will sound fresher and more contemporary". This is a problem that plagues Led Zeppelin's new hits package called "Mothership". Stay far away from that! I lost my source for this quote... can't remember if it was Jimmy Page or Tony Banks that said this, but when asked why this compression was being done now to classic songs, the response was "that's the fashion these days". Sad.

Anyway, to sum up, you've got one box set covering Genesis from 1967-1975 released in 1998. Then two sets released this year that cover 1975 - 1998. And then there's that 3-disc archive set from 2000 that also covers 1976 - 1992. Not sure how much material is repeated there. Still confused? Me too.

New Release: L.E.O. - Alpacas Orgling

I'm 10 days late on the release, but it's finally here: "Alpacas Orgling" from L.E.O. I don't have it yet, so read this cool review here: http://www.bullz-eye.com/cdreviews/harris/leo-alpacas_orgling.htm.

Here a two excerpts in case you're not sure you want to click the link:

The phrase “pop collective” has been used to describe L.E.O., and it’s as good a description as any. The project came about courtesy of Bleu, the singer/songwriter probably best known to mainstream audiences for “Somebody Else,” the song of his that ended up on the soundtrack to the first “Spider-Man” movie. Serving as the album’s executive producer, Bleu pulled together a decidedly diverse crowd of performers, including Paula Kelley, Andy Sturmer (Jellyfish), Mike Viola (the Candy Butchers), John Fields (the Rembrandts), Tony Goddess (Papas Fritas), Matt Mahaffey (sELF), Jason Scheff (Chicago), Steve Gorman (the Black Crowes), and…wait for it…Hanson.

Sturmer even takes lead vocals during a brief portion of “Goodbye Innocence”…though it only lasts long enough for you to say, “Hey, you son of a bitch, it’s been thirteen years since Spilt Milk and, clearly, you still sound awesome, so where’s that fucking solo album already?” (Actually, you might not say that. But that’s totally what *I* said.)